Browse films by

Browse All Films

All # A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Browse Creative Streak

Advanced Style

October 3 - 22, 2014

USA | 2014 | 72 Minutes | Lina Plioplyte

In this warm-hearted documentary, based on the popular blog of the same name, we meet seven unique New York women, aged 62 to 95, whose eclectic personal style and vital spirit are challenging conventional ideas about beauty and our culture's increasing obsession with youth.

The Big Lebowski with Jim Emerson

September 20, 2014

USA | 1998 | 360 minutes | Joel Coen

The Big Lebowski goes under the analytical knife with a six-hour audience-fueled examination of what makes this film extraordinary. Join guest facilitator and film critic Jim Emerson as we work together scene-by-scene and often shot-by-shot through the symbolism, homage, and genius of the Coen Brothers cult masterpiece.

Crash Cinema Film Challenge

November 16

Crash Cinema is a bi-monthly filmmaking challenge. Can you create a compelling, cohesive film in just eight hours? Find out at SIFF's Crash Cinema.

Crash Kids

December 13

Crash Kids is a non-competitive movie production challenge that takes participants from movie concept to movie screening over the course of a day. Attending children (aged 8 - 12) work with a professional media educator to create a short film in collaboration with other children in just eight hours.

Crash Student

Crash Student is based on the Crash Cinema filmmaking challenge fine tuned for high school and college students. Can you create a compelling, cohesive film in just eight hours? Find out at SIFF and NFFTY's Crash Student.

First Draft

November 17

110 minutes |

The First Draft screenplay series offers local screenwriters the opportunity to stage readings of their work using professional actors in front of a live audience, followed by feedback from industry insiders and audience members, alike. The script for Monday, November 17 will be A Helluva Thing written by Kristin Kirby.

Touch of Evil with Sean Axmaker

November 15

USA | 1958 | 360 minutes | Orson Welles

Well known for it's extraordinary opening, Touch of Evil is much more than just that initial tracking shot. It's rich cinematography, bold stylistic choices, and gritty story all coalesce to imagine a dark and atmospheric world of crime and corruption. Seattle film critic Sean Axmaker will facilitate this audience exploration with a six-hour dive into the pioneering mind of Orson Welles and his border town masterpiece.