Film4All is a program that offers cinema education, discussions and workshops for the public. Many of the films we screen at SIFF start a conversation, inspire an action or pose a question. These forums and workshops provide a place for cinema audiences to discuss these issues, as well as learn the basic skills to make a film themselves.
Cinema Dissection affords film lovers an exciting opportunity to dig deeper into the films that they love. Over six hours, an expert facilitator will share the stage with audience observations as they work scene-by-scene through a great film.
Educators from UW African Studies illuminate extraordinary stories from across Sub-Saharan Africa highlighting African-made films and evaluating films created through the 'western gaze.' Over four sessions, we will explore a variety of different contemporary cinematic portraits of Africa, coming to a deeper understanding of Africa beyond the media stereotypes.
Tony Kay, film critic for City Arts and The Sunbreak, presents a film criticism primer for parents and educators looking to expand their cinematic vocabulary in sharing the crafts of filmmaking with younger audiences.
January 19 - February 16, 2017
Over the last two decades, Paul Thomas Anderson has emerged as one of America's great filmmakers. Nearly twenty years ago, Anderson directed Boogie Nights at age 26, cementing a reputation as a young Scorsese of Southern California's San Fernando Valley. Now his oeuvre is one of dysfunctional families, an American past filled with greed and corruption, and some of the most memorable performances of the late Philip Seymour Hoffman. This class series looks at the work of the cinematic master known affectionately to his fans as "PTA" - from his early short film work to his recent adaption of Thomas Pynchon's Inherent Vice.
The 1970s was the decade of Watergate, Vietnam, and plummeting trust in our political institutions. In this class, we'll explore how filmmakers interpreted these cultural changes and reinvigorated the genre of "political thrillers." Join instructor Christopher Rufo as he shares clips of the best 1970s political thrillers and leads a class discussion about their plots, themes, and cinematic technique.
March 27 - April 17, 2017
During the 60s, Hollywood turned its cameras toward an era of sex, drugs, and rock & roll that was exploding across the country. In the decades that followed, some of America's most iconic filmmakers would use the radical 60s as a lens to dramatically reflect the revolution of history. This class will look at Hollywood's relationship with the 1960s, starting with how the counterculture was filmed as it happened and then exploring how the era's legacy continues to captivate audiences today. Taught by film historian John Trafton.
April 6 - 27, 2017
Explore the essence of the genre known variously as "women's films," "weepies," and "melodrama" and discuss how filmmaker Douglas Sirk transformed those labels through sheer, irresistible style, making himself one of the Essential Directors. Our course, in four weekly sessions, will investigate the appeal and allure that have made Sirk's film making loom increasingly larger as generation after generation of film enthusiasts and film makers discover and rediscover his art.