Film4All is a program that offers cinema education, discussions and workshops for the public. Many of the films we screen at SIFF start a conversation, inspire an action or pose a question. These forums and workshops provide a place for cinema audiences to discuss these issues, as well as learn the basic skills to make a film themselves.
Cinema Dissection affords film lovers an exciting opportunity to dig deeper into the films that they love. Over six hours, an expert facilitator will share the stage with audience observations as they work scene-by-scene through a great film.
Over the past 100 years, we've witnessed dramatic changes in the life of American cities. In this class, we'll explore how documentaries shed light on this cycle of decay and renewal and what it means for us today. Join instructor Christopher Rufo as he shares clips from a wide range of documentaries from the 1930s to the present and leads a discussion about the role of cities in modern life.
Crash Cinema is a bi-monthly filmmaking challenge. Can you create a compelling, cohesive film in just eight hours? Find out at SIFF's Crash Cinema. Next Crash event will be in the summer and we are working to plan the dates. No registration necessary. Show up as a single or with a group and make a film in a day!
Back by popular demand! Why did George Lucas' 1977 original Star Wars become a phenomena that we still cherish today? Because it tapped into a universal story in the collective psyche: The Hero's Journey-- a timeless story construct still relevant to scriptwriters, filmmakers, and film lovers today. Join media educator Malory Graham for this exploration of the structure of Star Wars and how it still informs screenwriting and filmmaking today.
October 17 - November 14, 2016
Educators from UW African Studies illuminate extraordinary stories from across Sub-Saharan Africa highlighting African-made films and evaluating films created through the 'western gaze.' Over four sessions, we will explore a variety of different films portraying contemporary portraits of Africa, coming to a deeper understanding of Africa beyond the media stereotypes.
Tony Kay, film critic for City Arts and The Sunbreak, presents a film criticism primer for parents and educators looking to expand their cinematic vocabulary in sharing the crafts of filmmaking with younger audiences.
January 19 - February 16, 2017
Over the last two decades, Paul Thomas Anderson has emerged as one of America's great filmmakers. Nearly twenty years ago, Anderson directed Boogie Nights at age 26, cementing a reputation as a young Scorsese of Southern California's San Fernando Valley. Now his oeuvre is one of dysfunctional families, an American past filled with greed and corruption, and some of the most memorable performances of the late Philip Seymour Hoffman. This class series looks at the work of the cinematic master known affectionately to his fans as "PTA" - from his early short film work to his recent adaption of Thomas Pynchon's Inherent Vice.
March 27 - April 17, 2017
During the 60s, Hollywood turned its cameras toward an era of sex, drugs, and rock & roll that was exploding across the country. In the decades that followed, some of America's most iconic filmmakers would use the radical 60s as a lens to dramatically reflect the revolution of history. This class will look at Hollywood's relationship with the 1960s, starting with how the counterculture was filmed as it happened and then exploring how the era's legacy continues to captivate audiences today. Taught by film historian John Trafton.
April 6 - 27, 2017
Explore the essence of the genre known variously as "women's films," "weepies," and "melodrama" and discuss how filmmaker Douglas Sirk transformed those labels through sheer, irresistible style, making himself one of the Essential Directors. Our course, in four weekly sessions, will investigate the appeal and allure that have made Sirk's film making loom increasingly larger as generation after generation of film enthusiasts and film makers discover and rediscover his art.