Cinema Dissection: The Maltese Falcon

Cinema Dissection: Maltese Falcon

September 9, 2023

Film Talks

When Director John Huston’s version of The Maltese Falcon hit cinema screens in 1941, it was already the third adaptation of Dashiell Hammett’s novel, but it would prove to be the definitive version. Humphrey Bogart rose to become a full fledged leading man, while Mary Astor, just four  years removed from a scandal that nearly destroyed her career, established the archetype for the femme fatale. Now add Peter Lorre, Elisha Cook Jr., and Sydney Greenstreet (in his film debut) for the perfect rogues gallery, and if that wasn’t enough, the film is widely regarded as Hollywood’s first true film noir. Join facilitator and SIFF Programmer Dan Doody for a shot-by-shot investigation of the film’s corkscrew plot, its iconic black-feathered MacGuffin, and what makes for a great film noir.

Tickets

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TICKETS
$20 | $15 Members | $19 Seniors and Youth

CLASS SPECIFICS
SATURDAY, SEPTEMBER 9, 2023, 10:00 AM–4:00 PM
SIFF Film Center

ABOUT CINEMA DISSECTION

Cinema Dissection affords film lovers an exciting opportunity to dig deeper into the films that they love. Inspired by Roger Ebert's annual Cinema Interruptus in Boulder, CO, attendees will participate with a facilitator in a six-hour scene-by-scene, and sometimes shot-by-shot, deconstruction of the featured film. While the facilitator will certainly share their thoughts, anyone in the audience may call out "Stop" and either ask a question of the group or make an observation around a certain shot or moment in the film.

About the Instructor: Dan Doody

About the Instructor:

A Seattle-area native, Dan Doody received a degree in English from Western Washington University, and began working for the Seattle International Film Festival in 1999. He programs both features and short films for the festival, serving on the WTF! committee and as the festival's lead coordinator for its Oscar® qualifying ShortsFest section. He is an enthusiast of the gothic in both film and literature, the pagan-haunted pastorals found in English ghost stories, and the seedy streets of film noir. He could quite happily live in a crumbling castle so long as it was within walking distance of a neon-lit diner on a rain-slicked city boulevard.