Join Donate

SIFF Book Club: Carrie (50th Anniversary) Waifish Carrie White is a tortured high school misfit bullied by her classmates and sadistic, fundamentalist mother. But her fragile demeanor belies the vast telekinetic powers she secretly possesses. With its iconic prom scene climax, Carrie is still one of cinema’s all-time great horror shockers. 50th anniversary screening.

The Scout A location scout is tasked with finding the perfect interiors for a television pilot. Over the course of a single day, she drives around New York City, interacting with strangers, taking photos of their cozy apartments and eclectic shops, while attempting to satisfy the demands of her erratic employers. Director Paula González-Nasser and Producer/Co-Editor Ryan Martin Brown scheduled to attend for a post-film Q&A on Oct 9.

The History of Concrete After attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.

Nouvelles Femmes: Le Bonheur (Happiness) In a French Impressionist landscape of sunny blossoms, a blissful husband and wife (Jean-Claude and Claire Drouot) picnic on the grass.Their happiness feels organically grown, part of the natural order. But when Jean-Claude meets a postal clerk (Marie-France Boyer), he realizes he has a capacity for “more flowers, more apples.”

NAZA Directed by Yuval Abraham and Rachel Szor, two of the co-directors of the 2024 Oscar-winning documentary No Other Land, NAZA reveals the systems behind Israel’s bombing of Gaza and its mass killing of Palestinian civilians. Winner of Special Jury Prize at the 2026 Venice Film Festival.

SIFF Movie Club: Ginger Snaps Ginger Snaps is a 2000 Canadian supernatural horror film about two death-obsessed sisters, outcasts in their suburban neighborhood, who must deal with the tragic consequences when one of them is bitten by a deadly werewolf.

The History of Concrete After attending a workshop on how to write and sell a Hallmark movie, filmmaker John Wilson tries to use the same formula to sell a documentary about concrete.