Cinema Dissection: Double Indemnity

Cinema Dissection: Double Indemnity

November 22, 2025

Film Talks

Upon the publication of James M. Cain’s sensational crime novel “Double Indemnity,” Joseph Breen (Hollywood’s chief censor) declared, “The general low tone and sordid flavor of this story makes it, in our judgment, thoroughly unacceptable for screen presentation….” Director Billy Wilder respectfully disagreed. Working with crime novelist Raymond Chandler, Wilder fashioned a script that kept the dark, seediness of the novel while meeting Breen’s stringent “moralistic guidelines.” Add Fred MacMurray and sultry Barbara Stanwyck as the scheming adulterous lovers along with Edward G. Robinson as the shrewd, tenacious insurance investigator Barton Keys, and you have everything you need for an archetypal film noir.

Join facilitator and SIFF Programmer Dan Doody for a shot-by-shot investigation of the film’s ingenious narrative, its whip-smart dialogue, and how (not) to commit the perfect murder.

SIFF year-round passes and vouchers are not valid for this event.

Tickets

Select showtime for pricing and tickets.

Saturday, November 22, 2025

CLASS SPECIFICS
Saturday, November 22, 2025
10:00am–4:00pm PT
SIFF Film Center
$30 Sustainer | $25 Regular | $20 Member

ABOUT CINEMA DISSECTION
Cinema Dissection affords film lovers an exciting opportunity to dig deeper into the films that they love. Inspired by Roger Ebert's annual Cinema Interruptus in Boulder, CO, attendees will participate with a facilitator in a six-hour scene-by-scene, and sometimes shot-by-shot, deconstruction of the featured film. While the facilitator will certainly share their thoughts, anyone in the audience may call out "Stop" and either ask a question of the group or make an observation around a certain shot or moment in the film.

Dan Doody

ABOUT THE INSTRUCTOR
A Seattle-area native, Dan Doody received a degree in English from Western Washington University, and began working for the Seattle International Film Festival in 1999. He programs both features and short films for the festival, serving on the WTF! committee and as the festival's lead coordinator for its Oscar® qualifying ShortsFest section. He is an enthusiast of the gothic in both film and literature, the pagan-haunted pastorals found in English ghost stories, and the seedy streets of film noir. He could quite happily live in a crumbling castle so long as it was within walking distance of a neon-lit diner on a rain-slicked city boulevard.