Nouvelles Femmes: Modern Women of the 1960s French New Wave Cinema
Presented by Alliance Française, SIFF, and Greg Olson Productions. Series curated and written by Greg Olson.
September 16 - November 17, 2026
The revolutionary young French New Wave filmmakers of the 1960s were history’s first film-educated writer-directors. They loved Hollywood movies, studied philosophy, wrote discerning film criticism, and dreamed of making movies. As luminary Jean-Luc Godard wrote, they had absorbed “everything the cinema had done,” and now they would do things their way, creating “the new French genre of postwar freedom and the sexual independence of women, love and rebellion."
In Godard’s film Masculin Féminin, a young man speaks of “the total film we carried inside ourselves, the film we wanted to live.” He is at the movies with the woman he yearns to be with. She’s a rising pop singer, and she personifies the New Wave spirit: effervescent, self-possessed, charting her own career, relishing her freedom and sexual autonomy. Women in New Wave films question traditional male authority, seek personal pleasure, and defy restrictions—as do the men who make their films.
This series celebrates directors like François Truffaut, Jean-Luc Godard, Éric Rohmer, who are personally and artistically inspired by actresses like Jeanne Moreau, Anna Karina, Brigitte Bardot, Delphine Seyrig, Francoise Fabian, Jean Seberg and Anouk Aimée. And we honor writer-director Agnès Varda, the woman who made a film before any of these men, and who Martin Scorsese calls “One of the gods of the Cinema.” The New Wave also celebrates actors Jean-Paul Belmondo, Jean-Pierre Léaud, Jean-Louis Trintignant, Oskar Werner and more.
Lyrical words and images, existential truths light as champagne bubbles, the alluring and surprising ways of the heart, carefree Paris cool, the intoxication of life in the moment. The New Wave’s liberated personal themes and stylistic innovations have inspired Martin Scorsese, Robert Altman, Quentin Tarantino, Wes Anderson, Richard Linklater and many others, and its influence will shape tomorrow’s filmmakers.
Ten films in ten weeks on Wednesdays and two Tuesdays (Nov 10, 17), September 16 - November 17, 7:30 pm at the SIFF Uptown Cinema. Digital restorations and 35mm, in French with English subtitles.
Films introduced by series curator Greg Olson, film essays by Tova Gannana, The New Yorker poet, film curator and teacher; and by John Trafton, Los Angeles film professor, author, and podcaster. Their writing will be posted weekly on the SIFF Blog.
INDIVIDUAL TICKETS
$18 | $12 Members
PASSES
$160 | $100 Members *Members will need to log in to see this price*
SIFF year-round passes are not valid for this event.
Nouvelles Femmes: Breathless
France | 1960 | 90 min. | Jean-Luc Godard
September 16, 2026
Michel (Jean-Paul Belmondo) stomps the accelerator, and is Parisian-cool and casual about the big things (love, living and dying). Speeding ahead like Bogart in those American Noir movies, with the American Patricia (Jean Seberg) sharing his crime spree. She (standing still) gives us a Mona Lisa gaze: all the mysteries.
Nouvelles Femmes: Jules and Jim (35mm)
France | 1961 | 105 min. | François Truffaut
September 23, 2026
Two Parisian literature-loving friends (Oscar Werner, Henri Serre) are dumbstruck when they encounter Catherine (Jeanne Moreau), a real-life embodiment of passionate, adventurous living. Respect and affection flow freely between the three, and soon a larking-about friendship branches into many configurations of love. Presented in 35mm.
Nouvelles Femmes: Cléo from 5 to 7
France | 1962 | 90 min. | Agnès Varda
September 30, 2026
This afternoon beautiful pop singer Cleo (Corinne Marchand) will find out the results of her cancer biopsy, and this raw fact changes her life. She’s used to everyone looking adoringly at her, defining her as a princess. Today, as Varda says, “She changes to a black dress, like singer Edith Piaf, and goes out; now she looks at the world.”
Nouvelles Femmes: Contempt
France | 1963 | 102 min. | Jean-Luc Godard
October 7, 2026
A film producer (Jack Palance) and his director (pantheon director Fritz Lang) are filming Homer’s The Odyssey. The screenwriter (Michel Piccoli) and his stunning wife (Brigitte Bardot) are on the scene. Godard seeks to “film thought, the beauty of moments,” and a small emotional miscalculation (or happenstance) sows doubt in a Mediterranean paradise.
Nouvelles Femmes: Le Bonheur (Happiness)
France | 1965 | 80 min. | Agnès Varda
October 14, 2026
In a French Impressionist landscape of sunny blossoms, a blissful husband and wife (Jean-Claude and Claire Drouot) picnic on the grass.Their happiness feels organically grown, part of the natural order. But when Jean-Claude meets a postal clerk (Marie-France Boyer), he realizes he has a capacity for “more flowers, more apples.”
Nouvelles Femmes: Band of Outsiders
France | 1964 | 95 min. | Jean-Luc Godard
October 21, 2026
Godard puts his appreciative-playful spin on Hollywood-style Noir. Two guys (Claude Brasseur, Sami Frey) team with a lovely, naive, doe-eyed language student (Anna Karina) to steal money that’s hidden in her rooming house. Karina conveys a woman coming into her exuberant selfhood. When the three line dance the Madison, she keeps going, bouncing and smiling.
Nouvelles Femmes: Stolen Kisses (35mm)
France | 1968 | 91 min. | François Truffaut
October 28, 2026
Truffaut's alter-ego Antoine Doinel (Jean-Pierre Léaud) gains access to the hearts of Paris by becoming a detective. He’s emotionally up and down with his girlfriend Christine (Claude Jade) but the endearingly hapless fellow is instantly smitten by the elegant wife (Delphine Seyrig) of a client. Presented in 35mm.
Nouvelles Femmes: A Man and a Woman (60th Anniversary)
France | 1966 | 102 min. | Claude Lelouch
November 4, 2026
60th Anniversary Screening.A man (Jean-Louis Trintignant) and a woman, (Anouk Aimee) who’ve painfully lost their loves, meet by chance. They’re very appealing to each other (and to us), but can current attraction overcome past memories? Aimee’s enigmatic face has answers. This film played for 82 straight weeks in Seattle.
Nouvelles Femmes: Pierrot le Fou (35mm)
France | 1965 | 110 min. | Jean-Luc Godard
November 10, 2026
A husband (Jean-Paul Belmondo) flees his shallow Paris life with the babysitter (Anna Karina), to French Riviera escapades with gangsters, stolen loot, sunny hedonism, political commentary; a charming disorder, a reflection of director Godard's and Karina’s stormy marriage. It’s truly moving when he has her gaze into our/his camera’s eyes. Presented in 35mm.
Nouvelles Femmes: My Night at Maud’s
France | 1969 | 105 min. | Éric Rohmer
November 17, 2026
Fate and chance entwine as a man (Jean-Louis Trintignant), convinced he’ll marry a woman he’s never met (Marie-Christine Barrault), is unexpectedly side-tracked to an evening with Maud (Françoise Fabienne), a desirable paragon of education, culture, challenging conversation, career stability, and bedroom eyes.